As An Artist, Writer, Photographer, Fine Crafter

FINDING THE RIGHT SUPPORT AS AN ARTIST

July 8, 2013

When I started to take my art seriously, I knew that peer group association was important for me to grow as an artist, but finding the right art group to join was a little frustrating.  Why is it so important to associate with other artists? Well, although you can create art in a vacuum, if your art is never evaluated by your peers, you may simply be stuck repeating the same type of art and art subjects at the same skill level forever. Peer groups challenge us to stretch our skills, reach for new goals and generally provide support when we are feeling down. Therefore, it is important to seek out those who are Sympatico with our ideals and feelings about our art. Local art groups can be invaluable in this area. Let’s face it, while our friends and family members may ooh and ahh over our art, they really can’t provide an informed opinion about it. In addition, most of us suspect they are praising our art because they love us, and not really because they actually love our work or are really interested in art. Close family and friends also seem to devalue our work as artists because they consider it to be of secondary importance to our place in their lives.

I was sure that other artists usually wouldn’t fail to recognize how important my art was to me in the way friends and family might, because their own work is just as important to them as mine is to me. Therefore, I went looking for other artists to spend time with. I found the easiest and fastest way to meet many other artists was to join a local art group. However, as I said, I knew virtually nothing about any of the local art groups in my area, so I simply joined as many as I could find. In fact, until I got to know and talk to some of the members of the first group I joined, I didn’t realize how many other groups there were in my area. I then went to as many activities sponsored by each group as I could to get to know how each group functioned. To my surprise, I discovered that while most of the same local artists also belonged to many of the groups, each group did have a different “feel” to it, depending on the group’s mission statement and who was actually directing the groups focus.  In my area alone there are five or six art groups, all with different standards and goals. One of the coalitions is simply a painting group that gets together to talk, paint or draw and critique each other’s work twice a month. Another aims its standards for professionals and is very picky about what they accept in their shows. A third group is warm and welcoming to new and beginning artists and seeks to encourage its members to strive to improve their skills. A fourth group is a very loose association that tracks events from all the others and tries to find places for artists to exhibit and show. All of these groups have valuable insights into the local art world. While I do maintain my membership with most of the original groups I joined, I did finally find the group I consider my “home” group. Once you do find the right fit, you will also find the friendship and support you are looking for in your peers.

However, If you are not feeling the love in the group you joined, then you need to do some honest evaluation of that groups focus and aims and what you were looking for when you joined. You need to decide what it is about each particular group that makes you comfortable or uncomfortable. While only you can draw these conclusions, I do have some markers that can be used to aid you in making your assessment.

What are the goals the group has set for itself? Do you agree with them?

What were your goals when you joined this art group? Friends?  Career advancement? Improving your skill set?

Has it met your expectations? If not, why not?

Have you been a member long enough to have made a genuine attempt to get to know the other members? Do you attend all their functions? Are you friendly and approachable to other members?

Are you comfortable with the majority of the group’s socio-economic status? Why or why not?

Are you comfortable with the majority of the group’s education level? Why or why not?

Are you comfortable with the age/sex of the majority of the members?

Do the other members respect you as an artist? As a person?

Do you feel the criteria used in selecting winners at the group’s sponsored shows are fair? Why or why not?

Can you find topics to discuss with members at group functions?

Are the other members friendly to you? If not, they why do you think they are unfriendly?

Are these people you would enjoy spending time with outside meetings and group functions?

After evaluating your feelings about the group, then you need to make a decision as to whether to stay with the group or move on. Sometimes you may find that it is not one, but several local groups that give you what you need.  Once you do find the right group fit, you will also find the rapport and encouragement you are looking for in your colleagues.

Good Luck

Gail

 

TIPS ON PHOTOGRAPHING YOUR ART

June 20, 2013

Presentation is everything; especially on the internet where the only impression you can make is what is seen by the viewer. A poor presentation can make the difference between getting a sale or not and being accepted into an on-line show. For the judges to get an accurate idea of your art, the image you send must match the colors in the art and be sharp and clear. For many of us, taking a good photograph of our art is hard. Before sending off the photo of your art your art 1) make sure tha...


Continue reading...
 

MURALISTS NOW NEED CONTRACTOR’S LICENSE

May 27, 2013

Artists may not be aware that they could be violating California state licensing laws if they were paid more than $500 to paint a mural on a permanent structure i.e. a house or office wall, outside building, etc... The C-33 Painting and Decorating license section covers painting a mural on a permanent structure. Individuals who limit their practice to that of an artist could also be covered under either D-64 (non-specialized contractor designation) or C-61 (Limited Specialty contractor clas...


Continue reading...
 

Earning Residual Income With Our Art

May 14, 2013

We may as well admit it: all of us secretly want to not only create fabulous art but want the public to appreciate it so much they pay us fabulous prices for it. The wonderful thing about making prints of our work is it a way to earn residual income on our art. If an artist sells a painting for $500 that is a one-time fee; if that same artist also sells 20 prints for $15 each then they have earned a total of $800 on that same painting.
Naturally as an artist, you want any reproductions of ...


Continue reading...
 

IS YOUR DISPLAY BOOTH READY FOR THE ART FESTIVAL?

March 1, 2013

A booth event is a sale with multiple vendors with each vendor putting up their own display booth. The event may be geared to sell only art or it may allow different types of vendors. Basically there are three types: Outdoor, Indoor and Tabletop. Outdoor events are usually larger than the Indoor ones and will attract a larger crowd. A tabletop may be either indoors or outdoors; the main difference between a Tabletop and the others is the space size. Most booth events allow you a 10’ x 10...


Continue reading...
 

Which Gallery

February 20, 2013

Choosing a Gallery to represent your art can be one of the most important decisions you make as an artist. This decision can affect who sees your stuff, and consequently who buys it. If you are an artist who specializes in realistic still life art, you probably don’t want to display your art in a gallery that caters to abstract and modern art or vice versa because the gallery won’t attract the kind of art patrons interested in your art. When considering a gallery, do some research to fi...


Continue reading...
 

TIPS ON PHOTOGRAPHING YOUR ART FOR THE WEB

February 11, 2013

Presentation is everything; especially on the internet where the only impression you can make is what is seen. A poor presentation can make the difference between getting a sale and being accepted into an on-line show. For the judges to get an accurate idea of your art, the image you send must match the colors in the art and be sharp and clear. For...


Continue reading...
 

DEALING WITH VILIFICATION OF CHARACTER OR WORK ON SOCIAL NETWORK SITES

February 11, 2013

What response do you make when some person posts a negative opinion of you or your work on your website or a social network site? Some tips on what you can do about this without starting a major public feud and how to turn a negative into a positive action. Congratulations. You now have a brand new web-site (or blog site). You have spent hours designing it and putting into it everything you think will help you make it popular. Whether you created this site in the hopes of developing an audi...


Continue reading...
 

FINDING THE RIGHT SUPPORT AS AN ARTIST

July 8, 2013

When I started to take my art seriously, I knew that peer group association was important for me to grow as an artist, but finding the right art group to join was a little frustrating.  Why is it so important to associate with other artists? Well, although you can create art in a vacuum, if your art is never evaluated by your peers, you may simply be stuck repeating the same type of art and art subjects at the same skill level forever. Peer groups challenge us to stretch our skills, reach for new goals and generally provide support when we are feeling down. Therefore, it is important to seek out those who are Sympatico with our ideals and feelings about our art. Local art groups can be invaluable in this area. Let’s face it, while our friends and family members may ooh and ahh over our art, they really can’t provide an informed opinion about it. In addition, most of us suspect they are praising our art because they love us, and not really because they actually love our work or are really interested in art. Close family and friends also seem to devalue our work as artists because they consider it to be of secondary importance to our place in their lives.

I was sure that other artists usually wouldn’t fail to recognize how important my art was to me in the way friends and family might, because their own work is just as important to them as mine is to me. Therefore, I went looking for other artists to spend time with. I found the easiest and fastest way to meet many other artists was to join a local art group. However, as I said, I knew virtually nothing about any of the local art groups in my area, so I simply joined as many as I could find. In fact, until I got to know and talk to some of the members of the first group I joined, I didn’t realize how many other groups there were in my area. I then went to as many activities sponsored by each group as I could to get to know how each group functioned. To my surprise, I discovered that while most of the same local artists also belonged to many of the groups, each group did have a different “feel” to it, depending on the group’s mission statement and who was actually directing the groups focus.  In my area alone there are five or six art groups, all with different standards and goals. One of the coalitions is simply a painting group that gets together to talk, paint or draw and critique each other’s work twice a month. Another aims its standards for professionals and is very picky about what they accept in their shows. A third group is warm and welcoming to new and beginning artists and seeks to encourage its members to strive to improve their skills. A fourth group is a very loose association that tracks events from all the others and tries to find places for artists to exhibit and show. All of these groups have valuable insights into the local art world. While I do maintain my membership with most of the original groups I joined, I did finally find the group I consider my “home” group. Once you do find the right fit, you will also find the friendship and support you are looking for in your peers.

However, If you are not feeling the love in the group you joined, then you need to do some honest evaluation of that groups focus and aims and what you were looking for when you joined. You need to decide what it is about each particular group that makes you comfortable or uncomfortable. While only you can draw these conclusions, I do have some markers that can be used to aid you in making your assessment.

What are the goals the group has set for itself? Do you agree with them?

What were your goals when you joined this art group? Friends?  Career advancement? Improving your skill set?

Has it met your expectations? If not, why not?

Have you been a member long enough to have made a genuine attempt to get to know the other members? Do you attend all their functions? Are you friendly and approachable to other members?

Are you comfortable with the majority of the group’s socio-economic status? Why or why not?

Are you comfortable with the majority of the group’s education level? Why or why not?

Are you comfortable with the age/sex of the majority of the members?

Do the other members respect you as an artist? As a person?

Do you feel the criteria used in selecting winners at the group’s sponsored shows are fair? Why or why not?

Can you find topics to discuss with members at group functions?

Are the other members friendly to you? If not, they why do you think they are unfriendly?

Are these people you would enjoy spending time with outside meetings and group functions?

After evaluating your feelings about the group, then you need to make a decision as to whether to stay with the group or move on. Sometimes you may find that it is not one, but several local groups that give you what you need.  Once you do find the right group fit, you will also find the rapport and encouragement you are looking for in your colleagues.

Good Luck

Gail

 

TIPS ON PHOTOGRAPHING YOUR ART

June 20, 2013

Presentation is everything; especially on the internet where the only impression you can make is what is seen by the viewer. A poor presentation can make the difference between getting a sale or not and being accepted into an on-line show. For the judges to get an accurate idea of your art, the image you send must match the colors in the art and be sharp and clear. For many of us, taking a good photograph of our art is hard. Before sending off the photo of your art your art 1) make sure tha...


Continue reading...
 

MURALISTS NOW NEED CONTRACTOR’S LICENSE

May 27, 2013

Artists may not be aware that they could be violating California state licensing laws if they were paid more than $500 to paint a mural on a permanent structure i.e. a house or office wall, outside building, etc... The C-33 Painting and Decorating license section covers painting a mural on a permanent structure. Individuals who limit their practice to that of an artist could also be covered under either D-64 (non-specialized contractor designation) or C-61 (Limited Specialty contractor clas...


Continue reading...
 

Earning Residual Income With Our Art

May 14, 2013

We may as well admit it: all of us secretly want to not only create fabulous art but want the public to appreciate it so much they pay us fabulous prices for it. The wonderful thing about making prints of our work is it a way to earn residual income on our art. If an artist sells a painting for $500 that is a one-time fee; if that same artist also sells 20 prints for $15 each then they have earned a total of $800 on that same painting.
Naturally as an artist, you want any reproductions of ...


Continue reading...
 

IS YOUR DISPLAY BOOTH READY FOR THE ART FESTIVAL?

March 1, 2013

A booth event is a sale with multiple vendors with each vendor putting up their own display booth. The event may be geared to sell only art or it may allow different types of vendors. Basically there are three types: Outdoor, Indoor and Tabletop. Outdoor events are usually larger than the Indoor ones and will attract a larger crowd. A tabletop may be either indoors or outdoors; the main difference between a Tabletop and the others is the space size. Most booth events allow you a 10’ x 10...


Continue reading...
 

Which Gallery

February 20, 2013

Choosing a Gallery to represent your art can be one of the most important decisions you make as an artist. This decision can affect who sees your stuff, and consequently who buys it. If you are an artist who specializes in realistic still life art, you probably don’t want to display your art in a gallery that caters to abstract and modern art or vice versa because the gallery won’t attract the kind of art patrons interested in your art. When considering a gallery, do some research to fi...


Continue reading...
 

TIPS ON PHOTOGRAPHING YOUR ART FOR THE WEB

February 11, 2013

Presentation is everything; especially on the internet where the only impression you can make is what is seen. A poor presentation can make the difference between getting a sale and being accepted into an on-line show. For the judges to get an accurate idea of your art, the image you send must match the colors in the art and be sharp and clear. For...


Continue reading...
 

DEALING WITH VILIFICATION OF CHARACTER OR WORK ON SOCIAL NETWORK SITES

February 11, 2013

What response do you make when some person posts a negative opinion of you or your work on your website or a social network site? Some tips on what you can do about this without starting a major public feud and how to turn a negative into a positive action. Congratulations. You now have a brand new web-site (or blog site). You have spent hours designing it and putting into it everything you think will help you make it popular. Whether you created this site in the hopes of developing an audi...


Continue reading...